Official Stats: Name: Condor Joe
AKA: George ("Joji") Asakura (Gatchaman), Jason (Battle of the Planets), Dirk Daring (G-Force), Joe Thax (Eagle Riders) |
What is it about Joe that makes him such a popular character? There are probably several explanations: the anti-hero quality, the dark aura of danger; those piercing predatory eyes and that growling baritone, courtesy of singer Isao Sasaki. Maybe it's the way he was forced to face his demons and later his own death--something American viewers rarely saw in animation. Or the way, despite all his short-tempered machismo, Joe remains utterly dedicated to his team in his own. understated fashion.
According to the Tatsunoko Productions spec sheets, Joe was fashioned after actor Steve McQueen, which probably accounts for his sharp driver's/marksman's squint. Initially, Joe was to take a backseat role to Ken, Jun and Jinpei; in fact, Jun was slated to be G-2 until their positions were switched at the last moment. However, from fairly early in the series, the character figuratively took the bit in his teeth and ran away with a major share of the popularity, until the end of the series, where his painful demise put him in the spotlight. It was also said that his voice actor yearned for a little more of the action. Initially, Isao Sasaki had tried for Ken's part, but was placed in the second's position instead. He chafed at the bit part, eager for more character development. Joe became a decisive role for him; no other character Sasaki has played in his ongoing career has had as much visibility.
Joe stands out as a character who, in a world full of fashion mannequin designs, is not pretty. His face is too harsh, too craggy, too unfriendly. Yet in the anime universe, where big-eyed, inhuman beauty is obligatory, this harshness makes him special, human... and hard to draw. In contrast to Ken's heroism, he struggles with the ugly side of war and revenge. Ken fights for justice in a dazzling display of shouted commands and martial arts moves. Joe witnesses the bullet-riddled bodies and smashed civilian corpses and expresses his outrage as he mows down his enemies. He appeals to those of us who root for the underdog, the not-quite-hero.
Interestingly enough, Joe is at his best when left to his own devices. Any attempt to improve or popularize the character fell flat, as evidenced in a few episodes of Gatchaman II and especially the Gatchaman remake OAV. The OAV character designer, Yasuomi Umetsu, had worked on Gatchaman in the past and was more than capable of drawing Joe as he had been in the first series. Instead, he chose to incorporate all the latest fashions and styles and wound up with something that looked like a refugee from an 80's rock tour. Add a stereotypical, "tall, macho guy with attitude" personality, and the result was a glaring paper doll that said "Huh" a lot. Jason from the Top Cow BotP comic line began as a foul-mouthed, oversexed psycho, and it took 10 issues and a special character issue to tone him down.
I've heard fans describe him as a Christ-figure (because of his death and rebirth in Gatchaman II) and as a raging, testosterone-crazed psychopath with a soft spot for orphaned puppies, a "Mother complex" and a sexual interest in Ken. To me he is none of these things. I see him as an elemental force, battered, independent and unpredictable. He is also strong enough to be what he is, to feel rage, loyalty and friendship for others without any extra connotations.
Enjoy the gallery--some of the best screen shots I could find in the series (still working on image quality, though). And tell me what you think at wendy@chronicsite.com.
Credits Department: Condor Joe (c) Tatsunoko Productions (and special thanks to Tatsuo Yoshida, Ippei Kuri, Jinzo Toriumi, Isao Sasaki, Tsuneo Ninomiya and many others for bringing him to screen). Special thanks to Jane Lebak and Veronika Henkels for helping me obtain the screen shots. Thanks to Gloria, Sarah, Heather and Katharine for proofs and feedback. Titles created and art downsized with the help of Adobe ImageReady. This site was first put online July 13, 1998, last modified September 12, 2003.
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